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  • May 6, 2015

A Rare Glimpse of Vanishing Rain Forest Cultures

Author
Becky Harlan

“For hundreds of miles in every direction, a magnificent forest extended over plain and mountain, rock and morass.”—Alfred Russel Wallace

In 1994, inspired by the travels of British naturalist Alfred Russel Wallace—a contemporary of Charles Darwin and a 19th-century explorer of the Malay Archipelago—photographer James Whitlow Delano traveled to Malaysia to see the landscape he had read about.

Picture of clear cutting and oil palm forest planting as seen from above in the Malaysian rainforest
Clear-cutting Borneo’s rain forest for conversion to oil palm plantations as seen from the air near Marudi, Sarawak, Malaysia

He recalls taking a long boat ride up to the town of Kapit where he met an Iban Dayak man. Delano told the man he wanted to see the virgin forest. He recalls the man’s response: “There is none.” The man continued, “You have to go to the Indonesian side because loggers have gotten all the way to the border.”

A couple of years later Delano returned to test the truth of that statement. “I went in on the Malaysian logging roads almost all the way to the border of Indonesia, and he was right,” he says. This deeply troubled Delano, and over 20 years later he returned to document not only the Dayak people of Sarawak, but other equatorial rain forest communities that have been affected by international industry. So far he’s traveled to Malaysia, Suriname, Cameroon, and Ecuador to show the impact industries ranging from logging and oil palm to bauxite mining and infrastructure projects have on the people of the rain forest.

Picture of a hunter using a blowpipe to hunt a small bird in the Malaysian forest
Adonia, a young Penan hunter, takes a shot at a small bird with his blowpipe in the primary Borneo forest that surrounds Long Benali, Sarawak, Malaysia.

The intricacies of each of these threads—the forests, the people groups, and the industries—and the webs they form are part of an ongoing project called “The Little People: The Equatorial Rainforest Project.” Delano and I spoke over the phone about the story, which continues to evolve.

***
BECKY HARLAN: What’s going on in some of these equatorial communities?

JAMES WHITLOW DELANO: I don’t think it is easy to generalize except to say that, along the Equator, just like in the Arctic, there are very few large population centers. Take away Singapore, Quito, Manaus, Kinshasa, etc., and there aren’t many cities. This means that there are fewer people around to watch the practices of corporations there. Out of sight, out of mind. For example, in Ecuador they are drilling for oil inside Yasuni National Park. It begs the question: What exactly is a national park if it does not exclude petroleum drilling? A lot of what I’ve been doing is to tell this story and show people in D.C., Paris, Tokyo, that we affect the people in the rain forest.

Picture of oil petroleum pipelines extending in front of a house in Ecuador
Over a dozen petroleum pipelines pass in front of a house on the Via Auca, a road that extends south from the city of Coca, Ecuador, where oil extraction continues on indigenous land.
Picture of an ocelot pelt hung on the wall
A tattered ocelot pelt, listed as an endangered species by the Conference on International Trade in Endangered Species, is nailed to the wall of a housing compound set up by a China Dalian International road crew. The crew is paving the road from Brokopondo to Atjoni, deep in the Saamaka territory in the Amazon rain forest in Suriname.

BECKY: What was it like returning to Malaysia in 2010 after all those years?

JAMES: It’s not the same as it was 20 years before. Some of the most amazing humans, the Batek Negritos, live on the peninsula in Malaysia. The government would prefer that they live in Kuala Lumpur and have day jobs and salaries, so they’re under pressure as a group. The way they would normally live is to go somewhere for two weeks til the food ran out and then move. They can’t do that anymore. It’s kind of split the community. There are those who want nothing to do with the outside world, and there are those who own cars and motorbikes and work on the oil palm plantations. It’s a divisive force.

Picture of a Batek Negrito family sheltering from the rain in a typical structure
There are only 4,000 of the Batek Negrito people left. They are in danger of ethnically disappearing, Kuala Koh, Kelantan, Malaysia.
Click or hover for full caption.

BECKY: Your project is called “The Little People: The Equatorial Rainforest Project.” Why did you choose that title?

JAMES: It is a play on the phrase used by European aristocracy to describe the powerless peasantry, “the little people.” In the first Malaysian project I worked on, the Batek and Penan people really are “little” in stature, little in number, and little in the eyes of government. So, I wanted to use it in the title as a commentary on their powerlessness.

As I’ve continued, not all the people I feature are small in stature, but they are little in number and little in the eyes of government (in terms of political power). So, I thought a slightly controversial title might speak to the spirit of the project: the powerful running roughshod over the human and land rights of those less powerful.

Picture of men mining for gold in Suriname
Migrant Brazilian men mine for gold with high-powered water hoses deep on Maroon territory in the interior of the Amazon forest near Bensdorp, Suriname.
Click or hover for full caption.
Picture of a large Cameroonian rain forest tree transported on the back of a truck
A massive Cameroonian rain forest tree is transported to a sawmill for export in Kribi, Cameroon.
Click or hover for full caption.

BECKY: Your images have a timeless quality. Can you talk a bit about your photographic approach?

JAMES: I shot the project with a Leica m6 with a 35mm lens. My m6 is my new camera, and it’s 27 years old. They are quiet and low-key. Sometimes in places where plain-clothes police have a heavy presence or in areas of conflict or high crime, there is no better camera. My work and photo philosophy, although less evident in the rain forest work than urban work, is deeply influenced by the likes of Henri Cartier-Bresson, Robert Frank, and Gary Winogrand. Black and white felt right; it inherently takes a step back from reality and examines it in a different way, almost paring it down to tones and shadow.

Picture of an oil palm plantation in Malaysia
An oil palm plantation and a major road now stand on what used to be forest where the Batek Negrito people lived, north of Kuala Koh, Kelantan, Malaysia.

BECKY: What were the communities’ reaction to you as a photographer?

JAMES: Every place is different. In Borneo, you are treated like family. Amazonia is just plain big and it can be hard to get to places; you need a fixer to make contact. Amazonian indigenous peoples can be wary of outsiders, given the constant intrusion into their territory, subjugation, and the negative consequences over the centuries. It’s pretty much the same with the Maroons of Suriname. You are a guest on their land, and uninvited guests would probably not be welcome. In Cameroon, again, an unannounced outsider would likely be regarded in a rain forest locale with suspicion at best. It is all about trust and respecting local customs.

Ninety percent of the people I document very much want their stories told once they know I am not there to exploit their resources. They fear powerful outsiders strong-arming them off their ancestral territory and they have plenty of evidence to support that concern. For example, there seems to be borderline desperation at times to have their story told in Borneo because the state of Sarawak and the national government are bent on development.

Picture of a canal in Suriname that is surrounded by healthy forest
This canal, originally excavated by African slaves, cuts from the Commewijne River to the Atlantic at Matapica. It has been completely reclaimed by the surrounding mangrove forest and colonized by caimans and other wildlife near Bakkie Plantation. Commewijne, Suriname.
Picture of a boy looking at a tamed parrot
A young Saamaka Maroon man watches a tamed parrot held by a friend near the Boven Suriname village of Djumu. Maroons refer to themselves as ”Busikonde Sembe” or “People of the Bush.”

BECKY: Can you share a story that illustrates the current predicament of native people in the rain forest?

JAMES: The Iban are the most numerous indigenous people in Sarawak [Malaysia]. Traditionally they live in longhouses which are all wood, raised on posts. I talked to one Iban, and they said, “We can’t afford the wood to build.” And this is a wood-based society from a rain forest, but they can’t afford wood to build their houses. The corporations cut down the rain forest, make money off the wood, and then establish massive oil palm plantations. I sat in another longhouse, and there were power lines going right over it, but they don’t have power. There is a real disconnect. There isn’t trickle down that one might hope for. These are beautiful places with rich heritage and they’re really under threat.

Picture of a young man with a chainsaw in a rain forest
Gunung Palung National Park is one of the last protected refuges for orangutans. According to Delano, this young illegal logger was lent a chainsaw by the merchant in town who sells the timber, West Kalimantan, Indonesia.

BECKY: What is your driving force in working on this project?

JAMES: To tell the greater story of human rights, of exploitation of the very sensitive rain forest environment that can’t take the stresses that a temperate area can because all of the biomass that’s above ground. It’s like the Arctic—it scars and never comes back. The equatorial rain forests are the lungs of the planet, trapping and holding carbon dioxide while releasing oxygen in their process of respiration. As they are logged, degraded, or clear-cut altogether, so much of the carbon dioxide that would help nourish the forest ecosystem is released into the atmosphere.

When we first exploited North America, it was with mules and a big handsaw, now it’s with helicopters, bulldozers, chainsaws, so the ability to exploit and irreparably damage this environment in a fast manner is far greater today. I feel there’s an urgency.

***

See more images of these equatorial rain forest communities on Delano’s website. Follow him on Twitter and Instagram.

Related Proof Post: Everyday Climate Change

There are 10 Comments. Add Yours.

  1. bappy
    May 13, 2015

    all picture is really good but fist picture is so must good

  2. Debbie Thompson
    May 10, 2015

    Exploitation of indigenous people and their coveted land keeps right on going. What land they have is all they have. They cannot make more. These people need a voice thru which help can come.

  3. Darleen
    May 7, 2015

    It is amazing how these companies are allowed to take over land without any consideration for the people or environment and the distruction they are causing. Is there any one ever made responsible ……. It seems the $ is what rules and screw the people, Gee this sounds just like Canada.

  4. Djamahat Hendra Kosmadi
    May 7, 2015

    Stop Destroy our nature. Now, we don’t live in danger by snake, crocodile, or tiger. But we live under the more bigger danger. We drink pollutants water (bad effects by mining technology), we don’t have trees more (Palm Oil with brutally logging off our forest), our land very very destroyed like big hole attacked by big bomb (effects by mining industry). We live in scared here. Please stop destroy our nature. I hope, we hope. A hope of Dayak people in Central Borneo. A hope for our safety live.

  5. Lindsay
    May 7, 2015

    So painful to see, and I can only imagine how our own feelings of hopelessness are eclipsed by those of these indigenous communities…this has got to stop eventually, right?

  6. LM
    May 7, 2015

    There is nothing good about this situation. Be conscious of how you invest your money, don’t buy anything with palm oil, sign petitions, and act and speak out against what is happening.

  7. Rob
    May 6, 2015

    Good story. Makes you wonder – what can we do? There is an air of inevitability about the whole thing. But at least the story is being told; that is a small form of justice.

  8. Mr.T
    May 6, 2015

    It is so sad to see such wonton destruction of both indigenous human and wildlife. I understand the need for development but don’t understand why it has to come at such a cost.

  9. june jean playfair
    May 6, 2015

    No wonder we have global warming, it looks as though we have already passed the point of no return.

  10. Olivia
    May 6, 2015

    Stop the madness!

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